Особливості психологічного впливу музики епохи бароко
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Date
2019
Journal Title
Journal ISSN
Volume Title
Publisher
Херсонський державний університет
Abstract
UKR: Метою статті є з’ясування особливостей соціально-психологічного впливу музики епохи бароко. Методи. За допомогою методу контент-аналізу виявлено умови, котрі ініціювали появу і розвиток соціально-психологічного впливу музики епохи бароко. За допомогою методик психодіагностики визначено особливості соціально-психологічного впливу скрипкових сонат. Результати. Охарактеризовано бароко з точки зору понять і стилю епохи, її музичної культури, соціально-психологічних особливостей становлення музики. Здійснено соціально-психологічний аналіз тенденцій розвитку скрипкової музики, визначено його основні характеристики. Здійснено науково-теоретичне обґрунтування становлення жанру скрипкової сонати епохи бароко. На основі системного аналізу виявлено генезис жанру скрипкової сонати. В емпіричному дослідженні визначено жанрові особливості та особливості психологічного впливу скрипкових сонат Й.С. Баха та Г.Ф. Генделя. Висновки. Мистецтво музики розвивається та трансформується у нерозривному зв’язку з історич-ними подіями, відображає їх відповіддю на соціальні катаклізми, які відбуваються у житті суспільства. В естетиці бароко музика визначалася через точні науки з метою служіння Богу (кантати Баха) та прикраси людського життя (сонати Г.Ф. Генделя). Стиль бароко відрізняється вільним пошуком художніх форм, декоративністю, схильністю до зовнішніх ефектів та взаємодії різних видів мистецтв.
ENG: The purpose of the article is to elucidate the peculiarities of the socio-psychological influence of Baroque music. Using the method of content analysis revealed conditions that triggered the emergence and develop-ment of socio-psychological effects of Baroque music. With the help of psychodiagnostic techniques, features of the socio-psychological influence of violin sonatas are determined. Results. Baroque is described in terms of concepts and style of the era, its musical culture, socio-psycho-logical features of the formation of music. A socio-psychological analysis of the trends in the development of violin music was performed, its main characteristics were determined. Scientific and theoretical substantiation of the formation of the genre of violin sonatas of the Baroque era was made. On the basis of system analysis, the genesis of the genre of violin sonatas was discovered. In the empirical research the genre features and fea-tures of psychological influence of violin sonatas of I.S. Bach and G.F. Handel. Conclusions. Music, as well as other types of art, actively developed during the Baroque era. At that time there was a significant breakthrough in musical thinking – polyphonic polyphony changed by a homophonic-har-monic system, which led to the flowering of the culture of improvisation. Its peaks are usually considered by the creative geniuses of musical art of I.S. Bach and G.F. Handel. The art of music develops and transforms in an in-extricable connection with historical events, reflects their response to the social cataclysms that occur in the life of society. In the aesthetics of baroque music was determined through precise science in order to serve God (cantatas of the Bach) and ornaments of human life (sonatas G.F. Handel). Baroque style is distinguished by the free search for artistic forms, decorative, inclination to external effects and interaction of various arts. The revealed laws of the influence of Baroque music, on the psychophysiological state of the listeners, can be used to reduce fatigue, increase work capacity, improve the state of health, reduce internal stress, to get a good rest in a short time, etc.
ENG: The purpose of the article is to elucidate the peculiarities of the socio-psychological influence of Baroque music. Using the method of content analysis revealed conditions that triggered the emergence and develop-ment of socio-psychological effects of Baroque music. With the help of psychodiagnostic techniques, features of the socio-psychological influence of violin sonatas are determined. Results. Baroque is described in terms of concepts and style of the era, its musical culture, socio-psycho-logical features of the formation of music. A socio-psychological analysis of the trends in the development of violin music was performed, its main characteristics were determined. Scientific and theoretical substantiation of the formation of the genre of violin sonatas of the Baroque era was made. On the basis of system analysis, the genesis of the genre of violin sonatas was discovered. In the empirical research the genre features and fea-tures of psychological influence of violin sonatas of I.S. Bach and G.F. Handel. Conclusions. Music, as well as other types of art, actively developed during the Baroque era. At that time there was a significant breakthrough in musical thinking – polyphonic polyphony changed by a homophonic-har-monic system, which led to the flowering of the culture of improvisation. Its peaks are usually considered by the creative geniuses of musical art of I.S. Bach and G.F. Handel. The art of music develops and transforms in an in-extricable connection with historical events, reflects their response to the social cataclysms that occur in the life of society. In the aesthetics of baroque music was determined through precise science in order to serve God (cantatas of the Bach) and ornaments of human life (sonatas G.F. Handel). Baroque style is distinguished by the free search for artistic forms, decorative, inclination to external effects and interaction of various arts. The revealed laws of the influence of Baroque music, on the psychophysiological state of the listeners, can be used to reduce fatigue, increase work capacity, improve the state of health, reduce internal stress, to get a good rest in a short time, etc.
Description
O. Шевяков: ORCID 0000-0001-8348-1935
Keywords
естетичне виховання, музична культура, чинники соціального впливу, духовність, барокова музика, aesthetic education, musical culture, factors of social influence, spirituality, baroque music, КФОП
Citation
Шевяков О. В., Славська В. А. Особливості психологічного впливу музики епохи бароко. Наук. вісн. Херсон. держ. ун-ту. Серія «Психолог. науки» : зб. наук. пр. Херсон, 2019. Вип. 3. С. 42–48. DOI: 10.32999/ksu2312-3206/2019-3-6.