Статті КФП ДІІТ
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Browsing Статті КФП ДІІТ by Author "Filipenko, Viktoria"
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Item Conceptual View of the World and Means of Its Media Interpretation in Modern Theatrical Journalism of Ukraine(Redfame Publishing, USA, 2022) Galatska, Valentyna L.; Filipenko, Viktoria; Mamchych, Inna; Dashko, Nataliia; Nechyporenko, SvitlanaENG: The relevance of the study is determined by the fact that the methods of media interpretation of the worldview are shown in the ambiguity of the theatrical concept of view of the world in modern art. This is an important problem of the scientific tools development for the combination of different theatrical journalistic approaches, which are considered around the industry of mass culture, and have an impact on the development of social values in times of war tension. The conceptual view of the world in theatrical journalism allows a comprehensive approach to the diverse expression of symbolism, which the subjects build and reconstruct in the cultural field, demarcated in various institutional spaces. The purpose of the study is to consider the characteristics and elements of the communicative content of cultural and spiritual aspects of the worldview in the current space of theatre journalism. The following methods were used to achieve the stated purposes: system, content analysis method, and comparative. The work results determined that the concept of the modern worldview of Ukraine makes it possible to historically restore cultural traditions and their expression as a sample of the cultural structure the analysis. Theatre as a cultural element of a person forms their personality, starting with parallel events of present, based on a set of principles of society and culture. Philosophical structures, religions or political systems provide an interpretive basis with a complex vision, and sometimes with a resistant to changes vision. It was identified that questions about the world are inextricably connected with the development of culture and art. Possible answers to these questions are concentrated in works of art, the structure of which is based on original intuitions, concepts, categories, truths of the mind, axioms and symbols. All these factors create a semantic network that materialises in essential aspects of any human community. The practical significance is in the use of the work results by theatre journalists for the development of Ukrainian culture and independence during the Russo-Ukrainian war.Item Linguistic and Communicative Modelling in the theatrical interview Genre(University Alba Julia, Romania, 2022) Galats`ka, Valentyna; Filipenko, Viktoria; Davydenko, Inna; Temchenko, Liliіa; Kutsenko, LudmylaENG: We consider the interview genre to be a kind of dialogic interaction, in which all participants of the interview can take an active part in the discourse construction. The theatrical interview enables the joint activity of a group of communicants to be presented on the pages of a periodical press, who have decided on the form, structure, and content. The authors and participants of the dialog set the time and space limits of the expressions; the speech moves of the respondents. The journalist adds to, summarises, or adjusts the answers, regulates the process of alternation of the cues, and actively influences the processes of topical control. Dialogue encourages communicants to select the set of expressions that most effectively represent intentions and communicative purpose. All of this makes it necessary to develop the right strategy - employing tactics that include the influence of various factors, reducing communicative noises by exploiting the necessary language potential, stylistics, variability of communicative models and social roles, syntax, and modal elements, etc. By strategy in the genre of the theatrical interview, we mean the most effective implementation of the intentions of the speaker, which takes into account the personal (status-role and psychological) characteristics of the communicants. These intentions are focused on achieving a specific purpose of communication, dictated by communicative experience - all this subordinates the participants in the interview to the laws and norms of the appropriate (in the study of the theatre) sphere of communication and modelled conversation situation. It should be noted that the system of tactics of the theatrical interview genre is not limited by the above-mentioned parameters and is an open, constantly updated system. It provides an interesting discursive framing of the thought, programming the broad cultural context of the globalised theatrical epoch of Ukraine.Item A Person in the Modern Theatrical Life of Ukraine: A Journalistic Perspective(UK Zhende Publishing Limited, UK, 2023) Galatska, Valentyna L.; Dashko, Nataliia; Antonova, Viktoria; Filipenko, Viktoria; Davydenko, InnaENG: The purpose of the paper is to determine the peculiarities of representation and self-presentation of modern theatre actors of Ukraine through the prism of media coverage, in particular those specialized in the cultural sphere. The following scientific methods were used to investigate the issue: descriptive, analytical, inductive-deductive, survey, content analysis. The result of the study of the issue of a person in modern Ukrainian theatrical life through the prism of journalistic coverage of this sphere is the analysis of the conscious accentuation of attention on issues of all-Ukrainian importance by representatives of the theatre industry in Ukraine and beyond. As a result of the study of the issue of the theatrical realities of Ukraine in the journalistic discourse, the main aspects, to which the masters of the Ukrainian theatre attach importance, were determined. According to the results of a survey conducted among representatives of Ukrainian cultural journalism and representatives of the performing arts, an important role in the creative activity of a modern theatre person is the coverage of Ukrainian life, in particular, the realities of war, on the artistic stage.