Browsing by Author "Galatska, Valentyna L."

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    Conceptual View of the World and Means of Its Media Interpretation in Modern Theatrical Journalism of Ukraine
    (Redfame Publishing, USA, 2022) Galatska, Valentyna L.; Filipenko, Viktoria; Mamchych, Inna; Dashko, Nataliia; Nechyporenko, Svitlana
    ENG: The relevance of the study is determined by the fact that the methods of media interpretation of the worldview are shown in the ambiguity of the theatrical concept of view of the world in modern art. This is an important problem of the scientific tools development for the combination of different theatrical journalistic approaches, which are considered around the industry of mass culture, and have an impact on the development of social values in times of war tension. The conceptual view of the world in theatrical journalism allows a comprehensive approach to the diverse expression of symbolism, which the subjects build and reconstruct in the cultural field, demarcated in various institutional spaces. The purpose of the study is to consider the characteristics and elements of the communicative content of cultural and spiritual aspects of the worldview in the current space of theatre journalism. The following methods were used to achieve the stated purposes: system, content analysis method, and comparative. The work results determined that the concept of the modern worldview of Ukraine makes it possible to historically restore cultural traditions and their expression as a sample of the cultural structure the analysis. Theatre as a cultural element of a person forms their personality, starting with parallel events of present, based on a set of principles of society and culture. Philosophical structures, religions or political systems provide an interpretive basis with a complex vision, and sometimes with a resistant to changes vision. It was identified that questions about the world are inextricably connected with the development of culture and art. Possible answers to these questions are concentrated in works of art, the structure of which is based on original intuitions, concepts, categories, truths of the mind, axioms and symbols. All these factors create a semantic network that materialises in essential aspects of any human community. The practical significance is in the use of the work results by theatre journalists for the development of Ukrainian culture and independence during the Russo-Ukrainian war.
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    The Mediametaphor of Contemporary Ukrainian Theatre (Based on Specialised Printed Publications of the Period of Independence)
    (Ciudad Autónoma de Buenos Aires: Editorial Salud Ciencia y Tecnología, Argentina, 2024) Galatska, Valentyna L.; Dashko, Nataliia; Zharko, Svitlana; Kornilova, Kateryna; Tiahlo, Liubov
    ENG: Introduction: theatre, as an art form, is intricately intertwined with the contemporary media landscape, playing a crucial role in shaping cultural and social values, and influencing the perception and interpretation of significant societal events. Objectives: the relevance of this study is determined by the need to explore the mediametaphor of theatre as an instrument defining images, ideas, and concepts transmitted through the media space. The aim of the research is to uncover the significance of mediametaphor in Ukrainian theatre based on periodicals created during the Independence era: “Kino-Teatr”, “Ukrainskyi Teatr”, “Proscenium”, “Teatralna Besida” and “Teatr Plus”. Method: the article is grounded in theoretical methods such as analytical, content analysis, comparative, and generalisation methods. Results: the research results indicate that the media space allows theatre arts to connect with the audience through various formats, including video transmissions, interactive online performances, and social media. These formats are characteristic of media communication in theatrical centers in all major cities of the country: in Kyiv, Lviv, Kharkiv, and Dnipro. This expands the possibilities of communication and interaction for the audience with the theatrical process, shaping their understanding and perception of art. In this context, the mediametaphor of theatre becomes an instrument defining images, ideas, and concepts conveyed to the audience through the media space. Conclusions: the article makes a significant contribution to the scientific literature on theatre journalism and cultural studies, broadening the understanding of these concepts in the modern Ukrainian context.
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    A Person in the Modern Theatrical Life of Ukraine: A Journalistic Perspective
    (UK Zhende Publishing Limited, UK, 2023) Galatska, Valentyna L.; Dashko, Nataliia; Antonova, Viktoria; Filipenko, Viktoria; Davydenko, Inna
    ENG: The purpose of the paper is to determine the peculiarities of representation and self-presentation of modern theatre actors of Ukraine through the prism of media coverage, in particular those specialized in the cultural sphere. The following scientific methods were used to investigate the issue: descriptive, analytical, inductive-deductive, survey, content analysis. The result of the study of the issue of a person in modern Ukrainian theatrical life through the prism of journalistic coverage of this sphere is the analysis of the conscious accentuation of attention on issues of all-Ukrainian importance by representatives of the theatre industry in Ukraine and beyond. As a result of the study of the issue of the theatrical realities of Ukraine in the journalistic discourse, the main aspects, to which the masters of the Ukrainian theatre attach importance, were determined. According to the results of a survey conducted among representatives of Ukrainian cultural journalism and representatives of the performing arts, an important role in the creative activity of a modern theatre person is the coverage of Ukrainian life, in particular, the realities of war, on the artistic stage.